{"id":8580,"date":"2022-04-25T15:10:08","date_gmt":"2022-04-25T19:10:08","guid":{"rendered":"http:\/\/149.4.100.129\/academics\/cl\/?page_id=8580"},"modified":"2022-11-17T12:12:52","modified_gmt":"2022-11-17T17:12:52","slug":"andrea-khalil","status":"publish","type":"page","link":"https:\/\/www.qc.cuny.edu\/academics\/cl\/faculty\/andrea-khalil\/","title":{"rendered":"Andrea Khalil"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.19.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" class=\"wp-image-8555 size-full alignright lazyload\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/cl\/wp-content\/uploads\/sites\/75\/2022\/04\/andrea-khalil.jpg\" alt=\"Andrea Khalil Portrait\" width=\"200\" height=\"259\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/259;\" \/><\/p>\n<h3 class=\"title\">Andrea Khalil<\/h3>\n<p><strong>Professor, Comparative Literature<\/strong><br \/>Queens\u00a0Hall 265D<br \/>718-997-5684<br \/><a href=\"mailto:andrea.khalil@qc.cuny.edu\">andrea.khalil@qc.cuny.edu<\/a><\/p>\n<p><strong>Professor, PhD Program in French<\/strong><br \/>The Graduate Center, CUNY<br \/>365 5th Avenue<br \/>New York, NY 10016<\/p>\n<p><strong>Primary Concentrations<\/strong><\/p>\n<p>Literature and Film of France, North Africa and the Middle East; postcolonial studies; film studies, cultural studies.<\/p>\n<p><strong>Education<\/strong><\/p>\n<ul>\n<li>PhD, Harvard University<\/li>\n<li>MA, Harvard University<\/li>\n<\/ul>\n<p><strong>Books<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.routledge.com\/Gender-Women-and-the-Arab-Spring\/Khalil\/p\/book\/9781138815223\"><em>Gender, Women and the Arab Spring. Ed. Andrea Khalil<\/em><\/a>. Routledge, 2015.<\/li>\n<li><em><a href=\"https:\/\/www.routledge.com\/Crowds-and-Politics-in-North-Africa-Tunisia-Algeria-and-Libya\/Khalil\/p\/book\/9780415739870\">Crowds and Politics in North Africa: Tunisia, Algeria and Libya<\/a><\/em>. London: Routledge, 2014 (Paperback, 2016).<\/li>\n<li><em>North African Cinema in a Global Context: Through the Lens of Diaspora<\/em>. London: Routledge, 2008.<\/li>\n<li><em>The Arab Avant-Garde: Experiments in North African Art and Literature.<\/em>\u00a0Westport, Conn.: Praeger, 2003.<\/li>\n<\/ul>\n<p><strong>Grants<\/strong><\/p>\n<ul>\n<li>Fulbright Scholar, Tunisia 2012-2013.<\/li>\n<li>Mellon Fellowship for Mid-Career faculty at the CUNY Graduate Center (2011).<\/li>\n<\/ul>\n<p><strong>Professional Activities<\/strong><\/p>\n<ul>\n<li>Spring semester 2022: Germaine Tillon Chair Research Fellow, Mediterranean Institute for Advanced Research (IM\u00e9RA), Aix-Marseille University, Marseille, France.<\/li>\n<li>Board of Directors and Program Officer, American Institute for Maghreb Studies, 2009-present.<\/li>\n<li>Faculty Fellow (2008-2009) \u201cGreat Issues Forum: Power in the Contemporary World\u201d at The Center for the Humanities, CUNY Graduate Center, sponsored jointly by the Chancellor\u2019s Office and the Carnegie Corporation of New York.<\/li>\n<li>Member of the Faculty of Middle Eastern Studies, CUNY Graduate Center.<\/li>\n<li>Director of the \u2018Centre d\u2019\u00e9tudes maghr\u00e9bines \u00e0 Tunis\u2019 (CEMAT) (Center for Maghreb Studies), Tunis, Tunisia (October 2001-October 2002).<\/li>\n<\/ul>\n<p><strong>Selected Articles<\/strong><\/p>\n<ul>\n<li>\u201cThe Political Crowd: Theorizing Popular Revolt in North Africa\u201d, in Contemporary Islam: Dynamics of Muslim Life. Springer, 2011.<\/li>\n<li>\u201cAbdelkebir Khatibi\u201d, Biographical Encyclopedia of the Modern Middle East. Thomson Gale Publishers, 2007.<\/li>\n<li>\u201cWomen, Gender and Women\u2019s Fiction Writers: North Africa,\u201d Encyclopedia of Women and Islamic Cultures, Brill Academic Publishers, 2007.<\/li>\n<li>\u201cA Writing in Points: Autobiography and the Poetics of the Tattoo\u201d, The Journal of North African Studies, Frank Cass Publishers, Volume 8, No. 2, summer 2003.<\/li>\n<li>\u201cAnother Image of Tunisia: A Film Short Trilogy by Moncef Dhouib\u201d in The Journal of North African Studies, Frank Cass Publishers, volume 7, number 2, summer 2002.<\/li>\n<li>\u201cImages that Come out at Night: Moncef Dhouib\u201d in CELAAN Journal \u201cCentre d\u2019Etudes des Litt\u00e9ratures et des Arts d\u2019Afrique du Nord\u201d special issue \u201cCin\u00e9ma Maghr\u00e9bin\/Maghrebian Cinema\u201d vol.1, n.1, summer 2002.<\/li>\n<li>\u201cAffect and Ruin in Assia Djebar\u2019s \u201dVaste est la prison\u201d in ALIF journal of Comparative Poetics, volume 20, \u201cThe Hybrid Literary Text: Arab Creative Authors Writing in Foreign Languages\u201d. Cairo, Egypt. Spring 2000.<\/li>\n<li>\u201cThe Myth of the False: Ramses Younan and post-structuralism avant la lettre\u201d, in The Arab Studies Journal, \u201cLanguage and Culture in the Arab World\u201d, Washington DC, winter 2000.<\/li>\n<li>\u201cThe Suture: Tahar Ben Jelloun\u2019s La Pri\u00e8re de l\u2019absent\u201d, in Litt\u00e9R\u00e9alit\u00e9 \u201cDiaspora Maghr\u00e9bine\u201d, University of York, Toronto Winter 2000.<\/li>\n<li>\u201cReturning and the Body in Abdelwahab Meddeb\u2019s Talismano\u201d in Itineraires, volume 27, \u201cNouvelles approaches des texts litt\u00e9raires maghr\u00e9bins ou migrants\u201d. Paris: Harmattan, fall 1999.<\/li>\n<li>Translation of \u201cSociologie et Identit\u00e9 en Egypte et au Maroc: Le travail de deuil de la colonisation\u201d, by Alain Roussillon, for Cambridge History of Social Sciences. Issue: \u201cThe Internationalization of the Social Sciences\u201d, 1998.<\/li>\n<\/ul>\n<p><strong>Edited Volumes<\/strong><\/p>\n<ul>\n<li>Editor of Special Issue of The Journal of North African Studies (Volume 12, No. 3, September, 2007): \u201cThrough the Lens of Diaspora: North African Cinema in a Global Context\u201d. Author of article: \u201cThe Myth of Masculinity in the Films of Merzak Allouache\u201d, (30pp); Author of Introduction.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andrea Khalil Professor, Comparative LiteratureQueens\u00a0Hall 265D718-997-5684andrea.khalil@qc.cuny.edu Professor, PhD Program in FrenchThe Graduate Center, CUNY365 5th AvenueNew York, NY 10016 Primary Concentrations Literature and Film of France, North Africa and the Middle East; postcolonial studies; film studies, cultural studies. Education PhD, Harvard University MA, Harvard University Books Gender, Women and the Arab Spring. Ed. Andrea Khalil. 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