{"id":5465,"date":"2020-07-23T10:37:58","date_gmt":"2020-07-23T14:37:58","guid":{"rendered":"http:\/\/149.4.100.129\/academics\/prelaw\/?page_id=5465"},"modified":"2023-06-26T16:24:07","modified_gmt":"2023-06-26T20:24:07","slug":"colloquia-spring-2017","status":"publish","type":"page","link":"https:\/\/www.qc.cuny.edu\/academics\/ms\/colloquia-spring-2017\/","title":{"rendered":"Colloquia Spring 2017"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_row _builder_version=&#8221;4.4.8&#8243; background_color=&#8221;rgba(0,0,0,0)&#8221; custom_padding=&#8221;10px||10px||true|false&#8221; border_radii=&#8221;off|20px|20px||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_text _builder_version=&#8221;4.9.7&#8243; text_font=&#8221;Open Sans||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;16px&#8221; header_4_font=&#8221;Ubuntu|700|||||||&#8221; header_4_text_align=&#8221;center&#8221; header_4_text_color=&#8221;#ffffff&#8221; header_4_font_size=&#8221;30px&#8221; background_color=&#8221;#e71939&#8243; text_orientation=&#8221;center&#8221; custom_padding=&#8221;10px|10px|10px|10px|true|true&#8221; hover_enabled=&#8221;0&#8243; border_radii=&#8221;off|20px|20px||&#8221; locked=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h4>Graduate Media Studies Colloquia<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.4.9&#8243; custom_padding=&#8221;|20px||20px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.4.9&#8243;][et_pb_text _builder_version=&#8221;4.5.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Open Sans||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;16px&#8221;]<\/p>\n<p style=\"text-align: center\">Graduate Media Studies at Queens College convenes regular colloquia to engage colleagues and outside practitioners in conversations about their work, research and scholarship.<\/p>\n<p style=\"text-align: center\"><strong>Unless noted, all colloquia take place on Wednesdays from 5:30-6:20pm in G Building, Room 200 and are open to the entire CUNY community.<\/strong><\/p>\n<p>[\/et_pb_text][dsm_text_divider header=&#8221;Spring 2017&#8243; color=&#8221;#e71939&#8243; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.5.1&#8243; _module_preset=&#8221;default&#8221; header_text_color=&#8221;#000000&#8243;][\/dsm_text_divider][et_pb_accordion open_toggle_text_color=&#8221;#e71939&#8243; open_toggle_background_color=&#8221;#ffffff&#8221; closed_toggle_text_color=&#8221;#e71939&#8243; closed_toggle_background_color=&#8221;#ffffff&#8221; icon_color=&#8221;#e71939&#8243; _builder_version=&#8221;4.9.7&#8243; toggle_text_color=&#8221;#e71939&#8243; toggle_font=&#8221;Open Sans|600|||||||&#8221; body_font=&#8221;Open Sans||||||||&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;16px&#8221; hover_enabled=&#8221;0&#8243; border_color_all=&#8221;#000000&#8243; sticky_enabled=&#8221;0&#8243;][et_pb_accordion_item title=&#8221;Skateboards, Data, Design (February 1)&#8221; _builder_version=&#8221;4.9.7&#8243; hover_enabled=&#8221;0&#8243; toggle_level=&#8221;h4&#8243; open=&#8221;on&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/danne-woo.jpg\" alt=\"Headshot of Danne Woo\" class=\"wp-image-5468 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/danne-woo.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/danne-woo-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Danne Woo<\/strong> is an interactive designer, entrepreneur, educator, skateboard enthusiast and composer. His work in technology and design focuses on data driven projects, musical innovation, alternative energy and large crowd interactions. His projects have been featured on a number of blogs and magazines including <em>Fast Company, The Guardian, Engadget, Gizmodo, The Verge, CNet<\/em> and <em>Make Magazine<\/em>.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Lethal Robotics and Human Rights (February 8)&#8221; open=&#8221;off&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/peter-asaro-150x150.jpg\" alt=\"Headshot of Peter Asaro\" class=\"wp-image-5472 alignleft size-thumbnail lazyload\" width=\"150\" height=\"150\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/peter-asaro-150x150.jpg 150w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/peter-asaro.jpg 200w\" data-sizes=\"(max-width: 150px) 100vw, 150px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 150px; --smush-placeholder-aspect-ratio: 150\/150;\" \/>\u00a0<strong>Peter Asaro<\/strong> is a philosopher of science, technology and media. His work examines artificial intelligence and robotics as a form of digital media, and the ways in which technology mediates social relations and shapes our experience of the world. His research focuses on the social, cultural, political, legal and ethical dimensions of military robotics and UAV drones.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;NSK State and Virtual Citizenship (February 22) &#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/charles-lewis.jpg\" alt=\"Headshot of Charles Lewis\" class=\"wp-image-5473 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/charles-lewis.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/charles-lewis-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Charles Lewis<\/strong> is the NY Diplomat for the NSK, a utopian state and activist art project asking, what is the experience of a state that is not based on territory but on time? In 1992, under different historical circumstances but with political resonance to the contemporary moment, the Slovenian art collective NSK transformed into a national apparatus called the State in Time. Although it does not hold any permanent territory, the State in Time is the virtual home to over 15,000 citizens worldwide, many of them artists. The State issues passports and offers citizens rights of participation, provoking open-ended actions of the citizens as they work out self-constitution, currency, education systems, founding myths, military, production of folk culture, and other state functions.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Using Storytelling to Advance Justice (March 1)&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/alnoor-ladha.jpg\" alt=\"Headshot of Alnoor Ladha\" class=\"wp-image-5474 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/alnoor-ladha.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/alnoor-ladha-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Alnoor Ladha&#8217;s<\/strong> work focuses on the intersection of political organizing, systems thinking, storytelling, technology and the decentralization of power. He is a founding member and the Executive Director of The Rules (\/TR), a global network dedicated to changing the rules that create inequality, climate change and poverty around the world. He sits on the boards of both Greenpeace and the P2P Foundation.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;The History and Theory of Tech Development (March 8) &#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/caroline-jack.jpg\" alt=\"Headshot of Caroline Jack\" class=\"wp-image-5475 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/caroline-jack.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/caroline-jack-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Caroline Jack<\/strong> is a media historian and media theorist working at the intersection of business history, history of technology, and digital media studies. She is a Postdoctoral Fellow with the Data + Society Research Institute, a non-profit research institute in NYC that focuses on the social and cultural issues arising from data-centric technological development.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Cyber Racism (March 15) &#8221; title_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/jessie-daniels.jpg\" alt=\"Headshot of Jessie Daniels\" class=\"wp-image-5476 alignleft size-full lazyload\" width=\"150\" height=\"150\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 150px; --smush-placeholder-aspect-ratio: 150\/150;\" \/>\u00a0<strong>Jessie Daniels<\/strong> is a Professor of Sociology at Hunter College and The Graduate Center. She is the author of two books:<em> Cyber Racism<\/em> (2009) and <em>White Lies<\/em> (1997), and the forthcoming books, <em>Going Public <\/em>(with Arlene Stein), and <em>Being a Scholar in the Digital Era <\/em>(with Polly Thisthlethwaite). Her work operates at the intersection of scholarship and activism.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;The Technological Languages of Control (March 22)&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/marty-lucas.jpg\" alt=\"Headshot of Marty Lucas\" class=\"wp-image-5477 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/marty-lucas.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/marty-lucas-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Marty Lucas<\/strong> is an artist and media activist whose work explores the links of the technological with languages of control and forms of resistance. As a member of the Paper Tiger Television Collective, Martin was one of the producers of <em>The Gulf Crisis Television Project<\/em> in 1991. Recently, Martin has worked with Story Workshop in Malawi, Southern Africa, helping to develop productions around gender violence, food security, and AIDS.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Labor and Media (March 29)&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/paula-finn.jpg\" alt=\"A black and white drawing of a building.\" class=\"wp-image-5478 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/paula-finn.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/paula-finn-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Paula Finn<\/strong> has worked for over two decades with the labor movement, and currently serves as editor of the journal <em>New Labor Forum<\/em>, published by CUNY&#8217;s Murphy Institute for Worker Education and Labor Studies. She directs the Institute&#8217;s Center for Labor, Community, and Policy Studies. In addition to her work in the labor movement, Finn is also a poet, who&#8217;s book-length collection of poems,<em> The Weight of Water<\/em>, was a semi-finalist for the 2015 Philip Levine Poetry Prize.<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Aesthetics and Social Change (April 19)&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; open=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" data-src=\"https:\/\/www.qc.cuny.edu\/academics\/prelaw\/wp-content\/uploads\/sites\/84\/2020\/07\/brooke-belisle.jpg\" alt=\"Headshot of Brooke Belisle\" class=\"wp-image-5479 alignleft size-full lazyload\" width=\"200\" height=\"200\" data-srcset=\"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/brooke-belisle.jpg 200w, https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-content\/uploads\/sites\/84\/2020\/07\/brooke-belisle-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/>\u00a0<strong>Brooke Belisle<\/strong> researches and teaches the history and theory of photography, cinema, and digital media. Her work focuses on the recurrent disruptions and possibilities of &#8220;new media,&#8221; exploring emergent formats and experimental practices that echo across different historical periods of technological and social transformation. She directs the Stony Brook working group in Media, Art, Culture, and Technology and is an editor of the Journal of Visual Culture.<\/p>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Graduate Media Studies ColloquiaGraduate Media Studies at Queens College convenes regular colloquia to engage colleagues and outside practitioners in conversations about their work, research and scholarship. Unless noted, all colloquia take place on Wednesdays from 5:30-6:20pm in G Building, Room 200 and are open to the entire CUNY community.<div class=\"et_pb_module dsm_text_divider dsm_text_divider_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div class=\"dsm-text-divider-wrapper dsm-text-divider-align-center et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"dsm-text-divider-before dsm-divider\"><\/div>\n\t\t\t\t<h3 class=\"dsm-text-divider-header et_pb_module_header\"><span>&#8221;Spring<\/span><\/h3>\n\t\t\t\t<div class=\"dsm-text-divider-after dsm-divider\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"page_category":[],"wf_page_folders":[360,220],"class_list":["post-5465","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/pages\/5465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/comments?post=5465"}],"version-history":[{"count":0,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/pages\/5465\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/media?parent=5465"}],"wp:term":[{"taxonomy":"page_category","embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/page_category?post=5465"},{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/wf_page_folders?post=5465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}