{"id":9584,"date":"2025-10-30T13:39:06","date_gmt":"2025-10-30T17:39:06","guid":{"rendered":"https:\/\/www.qc.cuny.edu\/academics\/ms\/?page_id=9584"},"modified":"2025-10-30T13:50:58","modified_gmt":"2025-10-30T17:50:58","slug":"spring-2026-courses","status":"publish","type":"page","link":"https:\/\/www.qc.cuny.edu\/academics\/ms\/spring-2026-courses\/","title":{"rendered":"Spring 2026 Courses"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][dsm_text_divider header=”Spring 2026 Course Offerings” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/dsm_text_divider][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

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\u00a0<\/th>\nSec<\/strong><\/td>\nCode<\/strong><\/td>\nCourse (hr, crd)<\/strong><\/td>\nDescription<\/strong><\/td>\nDay<\/strong><\/td>\nTime<\/strong><\/td>\nInstructor<\/strong><\/td>\nLocation<\/strong><\/td>\n\n
Mode of Instruction<\/strong><\/div>\n<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41583<\/td>\nMEDST 100 (3, 3)<\/td>\nMedia Technologies Gutenberg to Internet<\/td>\n\u00a0<\/td>\n–<\/td>\nYeo, Shinjoung<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
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\u00a0<\/div>\n<\/th>\n
3<\/td>\n40983<\/td>\nMEDST 100 (3, 3)<\/td>\nMedia Technologies Gutenberg to Internet<\/td>\nT, TH<\/td>\n\n
9:15 AM – 10:30 AM<\/div>\n<\/td>\n
Maxwell, Richard<\/td>\nKY 264<\/td>\nHybrid Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41799<\/td>\nMEDST 101 (3, 3)<\/td>\nThe Contemporary Media<\/td>\nM<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Tsika, Noah<\/td>\nKY 264<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n41581<\/td>\nMEDST 101 (3, 3)<\/td>\nThe Contemporary Media<\/td>\n\u00a0<\/td>\n–<\/td>\nArroyo, Brandon<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n41578<\/td>\nMEDST 103 (3, 3)<\/td>\nInterpersonal Communication<\/td>\n\u00a0<\/td>\n–<\/td>\nDryer, Tracy<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41579<\/td>\nMEDST 103 (3, 3)<\/td>\nInterpersonal Communication<\/td>\n\u00a0<\/td>\n–<\/td>\nFasos, Sofia<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41730<\/td>\nMEDST 144 (4, 3)<\/td>\nHst Cinema II 1930-70<\/td>\nM<\/td>\n\n
6:30 PM – 9:20 PM<\/div>\n<\/td>\n
Tsika, Noah<\/td>\nKY 264<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41478<\/td>\nMEDST 145 (3, 3)<\/td>\nHistory of Broadcasting<\/td>\nW<\/td>\n\n
6:30 PM – 8:00 PM<\/div>\n<\/td>\n
Monroy, Juan<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41576<\/td>\nMEDST 146 (4, 3)<\/td>\nHistory of the Cinema III:1970-2000<\/td>\n\u00a0<\/td>\n–<\/td>\nCornell, Julian<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41477<\/td>\nMEDST 151 (3, 3)<\/td>\nPublic Speaking<\/td>\nM<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Dryer, Tracy<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n41762<\/td>\nMEDST 151 (3, 3)<\/td>\nPublic Speaking<\/td>\nF<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Fasos, Sofia<\/td>\nKY 317<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41728<\/td>\nMEDST 200 (4, 3)<\/td>\nPrinciples of Sound and Image<\/td>\nW<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Cornell, Julian<\/td>\nKY 317<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
4<\/td>\n41476<\/td>\nMEDST 201W (3, 3)<\/td>\nMedia Criticism<\/td>\nTH<\/td>\n\n
6:30 PM – 8:00 PM<\/div>\n<\/td>\n
Monroy, Juan<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n41737<\/td>\nMEDST 201W (3, 3)<\/td>\nMedia Criticism<\/td>\nM<\/td>\n\n
4:30 PM – 6:00 PM<\/div>\n<\/td>\n
Grochowski, Thomas<\/td>\nKY 315<\/td>\nHybrid Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41744<\/td>\nMEDST 201W (3, 3)<\/td>\nMedia Criticism<\/td>\nW<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Hinojos, Sara<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41751<\/td>\nMEDST 201W (3, 3)<\/td>\nMedia Criticism<\/td>\nT<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Hinojos, Sara<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n42833<\/td>\nMEDST 222 (3, 3)<\/td>\nIntro to Public Relations<\/td>\nF<\/td>\n\n
12:30 PM – 3:20 PM<\/div>\n<\/td>\n
Fasos, Sofia<\/td>\nKY 317<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41573<\/td>\nMEDST 222 (3, 3)<\/td>\nIntro to Public Relations<\/td>\n\u00a0<\/td>\n–<\/td>\nDryer, Tracy<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41690<\/td>\nMEDST 223W (3, 3)<\/td>\nMedia Writing<\/td>\nT<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Keifetz, Amanda<\/td>\nKY 321<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41689<\/td>\nMEDST 223W (3, 3)<\/td>\nMedia Writing<\/td>\nT<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Keifetz, Amanda<\/td>\nKY 321<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n42838<\/td>\nMEDST 240 (4, 3)<\/td>\nStyles of Cinema<\/td>\nTH<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Marinaccio, Ashley<\/td>\nKY 321<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n41475<\/td>\nMEDST 241 (3, 3)<\/td>\nMultimedia<\/td>\nT<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Defelice, Andrea<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41459<\/td>\nMEDST 241 (3, 3)<\/td>\nMultimedia<\/td>\nW<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Marcheschi, Dylan<\/td>\nMU 225H<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41458<\/td>\nMEDST 241 (3, 3)<\/td>\nMultimedia<\/td>\nTH<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Marcheschi, Dylan<\/td>\nMU 225H<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n41629<\/td>\nMEDST 243 (4, 3)<\/td>\nIntroduction to Filmmaking<\/td>\nT<\/td>\n\n
9:10 AM – 1:00 PM<\/div>\n<\/td>\n
Ehrlich, Madeleine<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
4<\/td>\n41630<\/td>\nMEDST 243 (4, 3)<\/td>\nIntroduction to Filmmaking<\/td>\nT<\/td>\n\n
1:40 PM – 5:30 PM<\/div>\n<\/td>\n
Ehrlich, Madeleine<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41632<\/td>\nMEDST 243 (4, 3)<\/td>\nIntroduction to Filmmaking<\/td>\nM<\/td>\n\n
1:40 PM – 5:30 PM<\/div>\n<\/td>\n
Beloff, Zoe<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41633<\/td>\nMEDST 243 (4, 3)<\/td>\nIntroduction to Filmmaking<\/td>\nTH<\/td>\n\n
9:10 AM – 1:00 PM<\/div>\n<\/td>\n
Mccleave, Leslie<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41440<\/td>\nMEDST 245 (3, 3)<\/td>\nScreenwriting<\/td>\nT<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Mccleave, Leslie<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39850<\/td>\nMEDST 245 (3, 3)<\/td>\nScreenwriting<\/td>\nW<\/td>\n\n
6:30 PM – 9:20 PM<\/div>\n<\/td>\n
Vetere, Richard<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41628<\/td>\nMEDST 255 (3, 3)<\/td>\nSocial Media<\/td>\nM<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Chapdelaine, Joshua<\/td>\nKG 202<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41438<\/td>\nMEDST 258 (3, 3)<\/td>\nIntro Motion Graphics and Effects<\/td>\nTH<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Defelice, Andrea<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41261<\/td>\nMEDST 260 (3, 3)<\/td>\nAdvertising and Marketing<\/td>\nM<\/td>\n\n
6:30 PM – 9:20 PM<\/div>\n<\/td>\n
Laroche, Myrlene<\/td>\nKY 317<\/td>\nHybrid Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41606<\/td>\nMEDST 262 (3, 3)<\/td>\nPolitical Economy of Media<\/td>\nT<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Yeo, Shinjoung<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41301<\/td>\nMEDST 266 (3, 3)<\/td>\nPodcasting<\/td>\nT<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Chapdelaine, Joshua<\/td>\nMU 225H<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n41294<\/td>\nMEDST 266 (3, 3)<\/td>\nPodcasting<\/td>\nT<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Chapdelaine, Joshua<\/td>\nMU 225H<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41600<\/td>\nMEDST 267 (3, 3)<\/td>\nScript Analysis<\/td>\nTH<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Mccleave, Leslie<\/td>\nKG 105<\/td>\nHybrid Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41597<\/td>\nMEDST 270 (3, 3)<\/td>\nMedia and the Environment<\/td>\nT<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Maxwell, Richard<\/td>\nKY 317<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n39527<\/td>\nMEDST 281 (3, 3)<\/td>\nAI Literacy<\/td>\nW<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Keifetz, Amanda<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n40807<\/td>\nMEDST 281 (3, 3)<\/td>\nBrand Safety<\/td>\nM<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Cohen, James<\/td>\nKY 317<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
4<\/td>\n40806<\/td>\nMEDST 281 (3, 3)<\/td>\nCommercial Advertising – Texaco Star Theater to SponCon<\/td>\nT<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Cohen, James<\/td>\nKY 319<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39525<\/td>\nMEDST 2993 (3, 3)<\/td>\nInternship<\/td>\n\u00a0<\/td>\n–<\/td>\nHerzog, Amy<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39523<\/td>\nMEDST 2996 (6, 6)<\/td>\nInternship<\/td>\n\u00a0<\/td>\n–<\/td>\nHerzog, Amy<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39521<\/td>\nMEDST 311 (3, 1)<\/td>\nMedia Practicum I<\/td>\n\u00a0<\/td>\nn\/a<\/td>\n,<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39519<\/td>\nMEDST 312 (3, 1)<\/td>\nMedia Practicum II<\/td>\n\u00a0<\/td>\nn\/a<\/td>\n,<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41397<\/td>\nMEDST 313 (4, 3)<\/td>\nCreative Sound Production<\/td>\nW<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Beloff, Zoe<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41391<\/td>\nMEDST 318 (4, 3)<\/td>\nCinematography<\/td>\nM<\/td>\n\n
9:10 AM – 1:00 PM<\/div>\n<\/td>\n
Beloff, Zoe<\/td>\nKG 105<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41381<\/td>\nMEDST 320W (3, 3)<\/td>\nGender, Sexuality, and Media<\/td>\nW<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Herzog, Amy<\/td>\nKY 321<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41376<\/td>\nMEDST 321W (3, 3)<\/td>\nNews Analysis<\/td>\nM<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Herzog, Amy<\/td>\nKY 321<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41374<\/td>\nMEDST 326W (3, 3)<\/td>\nMedia and Activism<\/td>\nTH<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Marinaccio, Ashley<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39517<\/td>\nMEDST 343W (3, 3)<\/td>\nNonfiction Forms<\/td>\nW<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Marinaccio, Ashley<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n42836<\/td>\nMEDST 364W (0, 3)<\/td>\nAdvert Consump &amp; Culture<\/td>\nW<\/td>\n\n
9:10 AM – 12:00 PM<\/div>\n<\/td>\n
Einstein, Mara<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39002<\/td>\nMEDST 381 (3, 3)<\/td>\nAdvanced Studies in Media<\/td>\nTH<\/td>\n\n
5:00 PM – 7:50 PM<\/div>\n<\/td>\n
,<\/td>\nKY 319<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n39004<\/td>\nMEDST 381 (3, 3)<\/td>\nAnimals in Media<\/td>\nM<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Fuqua, Joy<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
3<\/td>\n44215<\/td>\nMEDST 381W (3, 3)<\/td>\nAdvanced Studies in Media<\/td>\n\u00a0<\/td>\n–<\/td>\n,<\/td>\n\u00a0<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39515<\/td>\nMEDST 381W (3, 3)<\/td>\nWords Without Pictures: Writing about Visual Media<\/td>\nTH<\/td>\n\n
1:40 PM – 4:30 PM<\/div>\n<\/td>\n
Ehrlich, Madeleine<\/td>\nOL 01<\/td>\nOnline Sync<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
2<\/td>\n40789<\/td>\nMEDST 381W (3, 3)<\/td>\nCultural History of Music Videos<\/td>\nT<\/td>\n\n
6:30 PM – 9:20 PM<\/div>\n<\/td>\n
Arroyo, Brandon<\/td>\nKY 315<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n39513<\/td>\nMEDST 391 (9, 3)<\/td>\nSpecial Problems<\/td>\n\u00a0<\/td>\n–<\/td>\n,<\/td>\nOL 02<\/td>\nOnline Async<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n40359<\/td>\nMEDST 758 (4, 3)<\/td>\nVT: Form and Genre<\/td>\nW<\/td>\n\n
2:30 PM – 4:30 PM<\/div>\n<\/td>\n
Critchell, Yinmei<\/td>\nRA 101B<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41220<\/td>\nMEDST 759 (3, 3)<\/td>\nStudies in Communication<\/td>\nW<\/td>\n\n
6:30 PM – 8:20 PM<\/div>\n<\/td>\n
Rushkoff, Douglas<\/td>\nOC OFFCAMP<\/td>\nIn-Person<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/th>\n
1<\/td>\n41210<\/td>\nMEDST 769 (3, 3)<\/td>\nMA: Digital Activism Lab<\/td>\nM<\/td>\n\n
6:30 PM – 8:20 PM<\/div>\n<\/td>\n
Cohen, James<\/td>\nOC OFFCAMP<\/td>\nIn-Person<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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Spring 2026 Course Offerings<\/span><\/h3>\n\t\t\t\t
<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>  \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sec Code Course (hr, crd) Description Day Time Instructor Location Mode of Instruction \u00a0 2 41583 MEDST 100 (3, 3) Media Technologies Gutenberg to Internet \u00a0 – Yeo, Shinjoung OL 02 Online Async \u00a0 3 40983 […]<\/p>\n","protected":false},"author":80,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"page_category":[],"wf_page_folders":[220],"class_list":["post-9584","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/pages\/9584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/users\/80"}],"replies":[{"embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/comments?post=9584"}],"version-history":[{"count":0,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/pages\/9584\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/media?parent=9584"}],"wp:term":[{"taxonomy":"page_category","embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/page_category?post=9584"},{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/ms\/wp-json\/wp\/v2\/wf_page_folders?post=9584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}