![\"Bob](\"https:\/\/www.qc.cuny.edu\/library\/wp-content\/uploads\/sites\/127\/2025\/03\/music_alumni_bob_moog-300x223.jpg\")
Robert A. \u201cBob\u201d Moog Bob Moog<\/strong> (1934\u20132005) was an electrical engineer and a pioneering figure in the world of electronic music. Initially a designer and producer of theremins, Moog gained renown as the inventor of the first commercial synthesizer: an eponymously named instrument that debuted in 1964. According to the Bob Moog Foundation<\/a>, Moog\u2019s groundbreaking synthesizer, which was designed in collaboration with composer Herb Deutsch and featured components that would become industry standards, \u201crevolutionized almost every genre of music, offering performers new sonic possibilities in which to express their creativity.\u201d Artists such as Mort Garson, Wendy Carlos, Herbie Hancock, and Keith Emerson have been known to use Moog synthesizers at various points in their careers.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”off|desktop” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” width=”82%” max_width=”82%” custom_padding=”|20px||20px|true|true” custom_padding_tablet=”|50px||50px|true|true” custom_padding_phone=”|10px||10px|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”ITEMS ON DISPLAY IN THE MUSIC LIBRARY:” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”||||true|true” hover_enabled=”0″ border_color_all=”#A9A9A9″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” width=”82%” max_width=”82%” custom_margin=”||||false|false” custom_padding=”0px|50px||50px|false|true” custom_padding_tablet=”|50px||50px|false|true” custom_padding_phone=”|10px||10px|false|true” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”||||true|true” border_color_all=”#A9A9A9″ locked=”off” global_colors_info=”{}”]<\/p>\n From Moog to Mac<\/em>\u00a0<\/a> Synthesizers and Computers<\/a><\/em> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”||||true|true” border_color_all=”#A9A9A9″ locked=”off” global_colors_info=”{}”]<\/p>\n Shirleigh and Robert Moog present Clara Rockmore, theremin<\/em>\u00a0<\/strong><\/a> Analog Days: The Invention and Impact of the Moog Synthesizer<\/a><\/em> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” width=”82%” max_width=”82%” custom_padding=”|20px||20px|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”ADDITIONAL LIBRARY RESOURCES” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”||||true|true” hover_enabled=”0″ border_color_all=”#A9A9A9″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” width=”82%” max_width=”82%” custom_margin=”||||false|false” custom_padding=”0px|50px||50px|false|true” custom_padding_tablet=”|50px||50px|false|true” custom_padding_phone=”|10px||10px|false|true” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”||||true|true” border_color_all=”#A9A9A9″ locked=”off” global_colors_info=”{}”]<\/p>\n Switched On: Bob Moog and the Synthesizer Revolution<\/a><\/em> \u201cBob Moog: 1934-2005\u2033<\/a> Moog<\/strong><\/em>\u00a0<\/a> \u201cElectronic maestros.\u201d (Interview of Bob Moog, Peter Vogel and David Smith)\u00a0<\/a> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”||||true|true” border_color_all=”#A9A9A9″ locked=”off” global_colors_info=”{}”]<\/p>\n \u201cWhat is a synthesizer?\u201d\u00a0<\/a> \u201cOn synthesizers: the keyboard: the musician\u2019s handle on the electrons\u201d\u00a0<\/a> \u201cOn Synthesizers\u201d<\/a> \u201cAn interview with Bob Moog\u201d\u00a0<\/a> \u201cBuilding on the Legacy of Bob Moog\u201d<\/a> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” width=”82%” max_width=”82%” custom_padding=”|20px||20px|true|true” global_colors_info=”{}”][et_pb_column 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QC Class of \u201855, B.S. in Physics\u00a0<\/strong><\/p><\/div><\/p>\nITEMS ON DISPLAY IN THE MUSIC LIBRARY:<\/h2>\n
<\/strong>Deutsch, Herbert A.\u00a0
Circulating CD 13432\u00a0<\/p>\n
<\/strong>Moog, Bob (Robert)\u00a0
ML1092 .S951 1985\u00a0<\/p>\n
Rockmore, Clara\u00a0
LP 8057<\/p>\n
<\/strong>Pinch, Trevor, 1952-2021.; Trocco, Frank.\u00a0
ML1092 .P56 2002<\/p>\nADDITIONAL LIBRARY RESOURCES:<\/h2>\n
<\/strong>Glinsky, Albert, author.; Coppola, Francis Ford, 1939- writer of foreword.<\/p>\n
<\/strong>Anderton, Craig
EQ\u00a0<\/em>(Cupertino, Calif.), 2005-11, Vol.16 (11), p.96<\/p>\n
Harley, James
Computer Music Journal<\/em>, 2005, Vol.29 (4), p.94-95<\/p>\n
<\/strong>Moog, Bob ; Vogel, Peter ; Smith, David ; Hamer, Mick
New scientist<\/em>\u00a0(1971), 2005-03, Vol.185 (2492), p.48-51<\/p>\n
<\/strong>Moog, Bob
Keyboard\u00a0<\/em>(Cupertino, Calif.), 2015-10, Vol.41 (10), p.36<\/p>\n
<\/strong>Moog, Bob
Keyboard\u00a0<\/em>(Cupertino, Calif.), 2015-11, Vol.41 (11), p.30<\/p>\n
<\/strong>Moog, Bob
Electronic musician<\/em>, 2018-08, Vol.34 (8), p.42-42<\/p>\n
<\/strong>Canadian musician<\/em>, 2004-03, Vol.26 (2), p.26<\/p>\n
<\/strong>Music trades<\/em>, 2013-02, Vol.161 (1), p.118-128<\/p>\nNON-LIBRARY RESOURCES:<\/h2>\n
\n