Audition for the DTD mainstage production of Moliere's "The Misanthrope," directed by guest artist Daniel Irizarry of one-eighth theater.
Rehearsals begin January 17, 2022; with in-person performances on March 3-13, 2022.
Students should video record themselves doing the following two items and email the two videos (or send video links) to Daniel Irizarry at firstname.lastname@example.org by 11pm on Friday, January 14, 2022.
Make sure you add your name to the video (for example: Rita_Dutta_Audition_Misanthrope_22)
Script for "The Misanthrope" can be found here:
- A 2-minute monologue from “The Misanthrope” or any classical play where we can see use of language both serious and humorous. Melodrama highly recommended.
- A 2-minute physical performance exploring jealousy, love and/or social hypocrisy. The more performative the better. If you sing, move, dance or play any instrument this is the place to explore and play around. Go BANANAS!!!
- For more details about what the director is looking for, watch this video.
We are looking for talented, fun and open minds to explore this beautiful text and to play with it.
The Crowd You’re In With
By Rebecca Gilman
Directed by Claudia Feldstein
Live performances at the Goldstein Theatre Nov. 4-7. Available for streaming on Youtube Nov. 11-14. In-person tickets $10; streaming tickets $12. All tickets can be purchased at the Kupferberg Box Office, https://kupferbergcenter.org/.
A Fourth of July backyard barbecue is the setting for Rebecca Gilman’s humorous and ultimately disquieting exploration of the question of whether to have children. Three couples, divided on the issue, speak in very practical terms about their decisions, but Gilman never loses sight of the mystery that underlies a life-shaping decision guided by both rational thought and biological imperative.
Directed by Edisa Weeks
Featuring choreography by Yin Mei Critchell, Nia Love, and Edisa Weeks
Filmed performance available for streaming in winter 2021. Check in for details soon.
Satchmo Stomps features Louis Armstrong’s music performed by the Aaron Copland School of Music’s Jazz Ensemble directed by Antonio Hart with original choreography by YinMei Critchell, Nia Love and Edisa Weeks. The film is inspired by the life and musical legacy of Armstrong who called Queens home, and whose genre-defying sound and unique vocals changed the world of jazz and pop music.
Spring 2022 Productions
Directed by Daniel Irizarry
March 3-13, 2022
Moliere’s classical farce gets a modern spin from director Daniel Irizarry.
Check back for details and audition info soon.
The Merry Widow
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
April 7-10, 2022, at the Goldstein Theatre
In conjunction with the Aaron Copland School of Music,
DTD presents the classic opera “The Merry Widow”.
Student Choreography Showcase
Directed by Edisa Weeks
May 12-15, 2022
The Showcase features choreography by DTD Dance Majors and Minors who in collaboration with student costume and lighting designers create original works that incorporate a variety of dance styles, which have ranged from Tap to Hula, Contemporary, West African, Kathak, Bollywood, Hip-Hop, Jazz and more. For proposal guidelines contact: email@example.com
Update on Classes and Activities for the Fall 2021 Semester
Our office is open for in-person appointment on a limited basis. We can be reached by email, or by phone (718-997-3090). Please review the list of topics below for specific guidance about Major/Minor declaration, advisement, and other common issues that we can assist you with. For any other questions or inquiries please contact the department chair.
MAJOR AND MINOR DECLARATION INFORMATION
INSTRUCTIONS FOR PREREGISTRATION AND ADVISEMENT
- Majors in Drama and Dance should contact their advisor or Professor Edisa Weeks (firstname.lastname@example.org) for instructions on how to participate in preregistration. If you did not meet with your advisor prior to the instructional recess, you can request a phone or online appointment by emailing your advisor. You must complete your advisement before you are allowed to preregister.
- All preregistration and permission only registration will be done online. We will not have in person appointments. If there is an issue with your registration you may be asked to make a phone appointment to resolve it. You may leave questions about registration on the main office voicemail- 718-997-3090.
INSTRUCTIONS FOR REGISTRATION TO A PERMISSION ONLY COURSE
- All permissions are granted by the professor of the course. Please contact that professor by email to receive permission in writing.
- If you are a transfer student who completed a prerequisite at another university, please be sure to attach a transcript, a catalogue description and/or syllabus of the prerequisite course, and please note that some courses require a prerequisite and an audition or interview so you may be asked to submit additional materials (this affects Acting IV, Dance/Drama Collaboration, and MFA preparation Workshops)
- Acting IV requires permission and the prerequisite course and MFA preparation is an invitation only course. Please email Professor Claudia Feldstein (Claudia.email@example.com) for more information.
- We do not waive prerequisites or add anyone to courses that are already fully enrolled in this program.
- Classics Majors registering for Drama 201 need a letter from your advisor confirming that you have some background in Dramatic Literature. It may be addressed to Professor Healey.
- Drama Production and Dance Production are audition only courses, and the auditions will be held in August.
AS ALWAYS, THERE IS NO OVERTALLY FOR ANY DRAMA OR DANCE COURSES FOR ANY REASON,
- Due to the increased volume of email and phone messages required by the COVID19 emergency, we will not be responding to any email or voice messages requesting entrance to a closed section of any course.
- If a section is closed because it is full then you cannot take that course.
For the latest COVID-19/Coronavirus updates, please click here.
The Department of Drama, Theatre & Dance offers the study of the subjects appropriate for a liberal arts degree. A balanced combination of theory and practice aims at giving an understanding of the arts of drama, theatre and dance that can serve as a foundation for graduate study. Every effort is made to provide scope for the development of individual talent and skills as a preliminary step for those students who intend to pursue future conservatory training for a stage or dance career.
The department offers strong, diversified academic programs in theatre (covering history, literature, acting, directing, stage management, design, and technical theatre), and dance (modern, ballet, tap, Asian and African dance, choreography, and history). Each year, on our three stages, the department presents a wide range of five fully realized productions. These are dramas and comedies, classic and modern plays, new plays, musicals, operas, and dance concerts. Under the guidance of faculty and guest directors and designers, student actors and dancers perform for audiences drawn from all segments of the college community, as well as Queens neighborhoods.
There are also several opportunities annually for student actors and dancers to produce and direct work under faculty supervision. In addition to providing opportunities for students to major or minor in Drama, Theatre & Dance, the department devotes many of its offerings to courses that satisfy mandated general education requirements in the liberal arts. Moreover, non-majors participate regularly and extensively in all aspects of our production program as actors, dancers, technicians, and backstage crew members.
Internship Opportunities for Students